Four and Twenty Blackbirds by Cherie Priest: Review & interview

Four and Twenty Blackbirds by Cherie Priest

Four and Twenty Blackbirds by Cherie Priest

 

Cherie Priest is best known as the Queen of steampunk with her award-winning Clockwork Century collection, including titles such as Boneshaker and Dreadnought. However, this lady is a master of other genres too. The Eden Moore trilogy was her first series of novels that were originally only published in the USA. These haunting southern gothic ghost stories are now being published for the first time in the UK by Titan Books. Today, I’m looking at the first novel in the trilogy, Four and Twenty Blackbirds by Cherie Priest.

 

Synopsis

 

We meet Eden as a young child who’s struggling to fit in for a very unique reason. Eden sees ghosts. She’s always seen them; three sisters. They have something they want to tell her, but she can’t figure out what. Then, at ten years old, everything changes. What appears to be a madman approaches her as she plays in a park. The ghosts warn her to flee, but the stranger pulls a gun, aims and fires.

 

Eden manages to outrun her predator, but when he is caught, it comes to light that the stranger is related to her. Eden never knew much about her mother. She died during childbirth, and Eden was taken good care of by her aunt Lulu. But, as Eden investigates the motive for the attack, she realises that even her beloved Lulu is keeping secrets. So who is her father? Are the three ghosts friends or foe? Who can she really trust, and why will her attacker stop at nothing to see her dead?

 

Four and Twenty Blackbirds by Cherie Priest review

 

Cherie Priest has a knack for writing brilliantly strong female lead characters; here, she makes no exception. Eden is a tough, stubborn young lady on a desperate hunt to uncover her family history. She turns from scared little girl to full-on action hero within these 300-ish pages. There are a ton of twists and turns in this book to keep you utterly gripped and characters that will have you guessing their intentions right until the end. There were a few pages where I found the ins and outs of who was related to who a little bit overwhelming, but it doesn’t last for long. I cannot wait to see where Eden’s story goes next when the other two books from the trilogy are released later this year.

 

Thanks to Tian books, I was also lucky enough to pose a few quick questions to Cherie Priest herself.

 

 

Author Cherie Priest

Cherie Priest interview

 

Four and Twenty Blackbirds was your debut novel, first published back in 2003; what has brought about its republication?

Many people seemed to think that 2009’s Boneshaker was my first novel – and it has certainly been my most successful to date, but it was actually book #7. So there’s been a lot of renewed interest in my earlier projects, most notably the Eden books. And, of course, I’m thrilled that they’re finally heading overseas.

 

Are there any particular authors or novels that inspired you to become a writer?

I’ve always been a big mystery reader – cutting my teeth on the Nancy Drew books and then moving on to Poe and Doyle, and then Hammett and Agatha Christie.

 

Your books often have incredibly strong female characters. Where does the inspiration for these characters come from?

I get asked this question a lot, and I’m never quite sure how to answer it – except to say that I know a lot of strong women, and it’s only natural that they’d find their way into my fiction.

 

Four and Twenty Blackbirds is a southern gothic style horror, but you are known for writing in other genres such as steampunk. Do you have a favourite style?

Not really. I enjoy genre-hopping and would prefer not to be pigeon-holed. I don’t know if that’s possible or not, but I suppose we’ll see.

 

The book also includes lots of creepings and scares, but what scares you?

Sloths. I’m scared to death of them. Yes, I realise this is stupid. (I had a bad experience at a zoo as a child, and they’ve given me nightmares ever since.)

 

How do you feel about the current Hollywood trend of romanticising horror characters such as vampires and werewolves?

 

I don’t really have an opinion on it; there’s plenty of room in fiction for monsters of the romantic and non-romantic variety. Each to his/her own, that’s what I say.

 

Do you have any other novels or projects in the pipeline?

Two more steampunk novels over the next couple of years – Inexplicables and Fiddlehead, respectively. I’m also working on a shorter contribution to the Wild Cards universe and a few other stories here and there. 2012 is looking to be a busy year, so I’m trying to play it by ear as far as I can.

 

If you loved Four and Twenty Blackbirds by Cherie Priest, you’d love Turbulence by Samit Basu.

 

Buy Four and Twenty Blackbirds by Cherie Priest

 

 

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