After a bit of a blogging break (moving house is a nightmare), I’m back and The Tattooed Book is alive!
As I’ve missed most of early 2019 I thought it was worth doing a roundup of books that I’m dying to get stuck into that have either already been published this year or are set to come. From literary fiction, sci-fi to graphic novels and YA, there’s a bit of everything on this list so get stuck in and find yourself a favourite new book. It’s time for a best books of 2019 half year roundup.
When Korede’s dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what’s expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This’ll be the third boyfriend Ayoola’s dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede’s long been in love with him, and isn’t prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other…
Emmett Farmer is working in the fields when a letter arrives summoning him to begin an apprenticeship. He will work for a Bookbinder, a vocation that arouses fear, superstition and prejudice – but one neither he nor his parents can afford to refuse.
He will learn to hand-craft beautiful volumes, and within each he will capture something unique and extraordinary: a memory. If there’s something you want to forget, he can help. If there’s something you need to erase, he can assist. Your past will be stored safely in a book and you will never remember your secret, however terrible.
In a vault under his mentor’s workshop, row upon row of books – and memories – are meticulously stored and recorded.
Then one day Emmett makes an astonishing discovery: one of them has his name on it.
Moscow is in flames, leaving its people searching for answers – and someone to blame. Vasilisa, a girl with extraordinary gifts, must flee for her life, pursued by those who blame their misfortune on her magic. Then a vengeful demon returns, stronger than ever. Determined to engulf the world in chaos, he finds allies among men and spirits. Mankind and magical creatures alike find their fates resting on Vasya’s shoulders. But she may not be able to save them all.
When two eighteen-year-old girls go missing on their gap year in Thailand, their families are thrust into the international spotlight: desperate, bereft and frantic with worry.
Journalist Kate Waters always does everything she can to be first to the story, first with the exclusive, first to discover the truth – and this time is no exception. But she can’t help but think of her own son, who she hasn’t seen in two years, since he left home to go travelling. This time it’s personal.
And as the case of the missing girls unfolds, they will all find that even this far away, danger can lie closer to home than you might think . . .
Historian Jon Keller is on a trip to Switzerland when the world ends. As the lights go out on civilisation, he wishes he had a way of knowing whether his wife, Nadia, and their two daughters are still alive. More than anything, Jon wishes he hadn’t ignored Nadia’s last message.
Twenty people remain in Jon’s hotel. Far from the nearest city and walled in by towering trees, they wait, they survive.
Then one day, the body of a young girl is found. It’s clear she has been murdered. Which means that someone in the hotel is a killer.
As paranoia descends, Jon decides to investigate. But how far is he willing to go in pursuit of justice? And what kind of justice can he hope for, when society as he knows it no longer exists?
Brothers Nathan and Bub Bright meet for the first time in months at the remote fence line separating their cattle ranches in the lonely outback.
Their third brother, Cameron, lies dead at their feet.
In an isolated belt of Australia, their homes a three-hour drive apart, the brothers were one another’s nearest neighbours. Cameron was the middle child, the one who ran the family homestead. But something made him head out alone under the unrelenting sun.
Nathan, Bub and Nathan’s son return to Cameron’s ranch and to those left behind by his passing: his wife, his daughters, and his mother, as well as their long-time employee and two recently hired seasonal workers.
While they grieve Cameron’s loss, suspicion starts to take hold, and Nathan is forced to examine secrets the family would rather leave in the past. Because if someone forced Cameron to his death, the isolation of the outback leaves few suspects.
One night in an isolated college town in the hills of Southern California, a first-year student stumbles into her room, falls asleep and doesn’t wake up. She sleeps through the morning, into the evening. Her roommate cannot rouse her. Neither can the paramedics, nor the perplexed doctors at the hospital. When a second girl falls asleep, and then a third, panic takes hold of the college and spreads to the town. A young couple tries to protect their newborn baby as the once-quiet streets descend into chaos. Two sisters turn to each other for comfort as their survivalist father prepares for disaster.
Alicia Berenson writes a diary as a release, an outlet – and to prove to her beloved husband that everything is fine. She can’t bear the thought of worrying Gabriel, or causing him pain.
Until, late one evening, Alicia shoots Gabriel five times and then never speaks another word.
Forensic psychotherapist Theo Faber is convinced he can successfully treat Alicia, where all others have failed. Obsessed with investigating her crime, his discoveries suggest Alicia’s silence goes far deeper than he first thought.
And if she speaks, would he want to hear the truth?
From the creator of Cat Person – the first short story to go viral – comes You Know You Want This, a compulsive collection about sex, dating and modern life. These are stories of women’s lives now. They also happen to be horror stories. In some, women endure the horror. In others, they inflict it.
Here are women at work, at home, on dates, at the doctor’s, with their families and with their friends. Here are women grappling with desire, punishment, guilt and anger. These are stories that make you feel fascinated but repelled, scared but delighted, revolted but aroused.
Fleetwood Shuttleworth is 17 years old, married, and pregnant for the fourth time. But as the mistress at Gawthorpe Hall, she still has no living child, and her husband Richard is anxious for an heir. When Fleetwood finds a letter she isn’t supposed to read from the doctor who delivered her third stillbirth, she is dealt the crushing blow that she will not survive another pregnancy.
Then she crosses paths by chance with Alice Gray, a young midwife. Alice promises to help her give birth to a healthy baby, and to prove the physician wrong.
As Alice is drawn into the witchcraft accusations that are sweeping the north-west, Fleetwood risks everything by trying to help her. But is there more to Alice than meets the eye?
Soon the two women’s lives will become inextricably bound together as the legendary trial at Lancaster approaches, and Fleetwood’s stomach continues to grow. Time is running out, and both their lives are at stake.
Only they know the truth. Only they can save each other.
One night changes everything for Toby. He’s always led a charmed life – until a brutal attack leaves him damaged and traumatised, unsure even of the person he used to be. He seeks refuge at his family’s ancestral home, the Ivy House, filled with memories of wild-strawberry summers and teenage parties with his cousins.
But not long after Toby’s arrival, a discovery is made: a skull, tucked neatly inside the old wych elm in the garden.
As detectives begin to close in, Toby is forced to examine everything he thought he knew about his family, his past, and himself.
Alison has it all. A doting husband, adorable daughter, and a career on the rise – she’s just been given her first murder case to defend. But all is never as it seems…
Just one more night. Then I’ll end it.
Alison drinks too much. She’s neglecting her family. And she’s having an affair with a colleague whose taste for pushing boundaries may be more than she can handle.
I did it. I killed him. I should be locked up.
Alison’s client doesn’t deny that she stabbed her husband – she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself.
I’m watching you. I know what you’re doing.
But someone knows Alison’s secrets. Someone who wants to make her pay for what she’s done, and who won’t stop until she’s lost everything….
Tracker is a hunter, known throughout the thirteen kingdoms as one who has a nose – and he always works alone. But he breaks his own rule when, hired to find a lost child, he finds himself part of a group of hunters all searching for the same boy. Each of these companions is stranger and more dangerous than the last, from a giant to a witch to a shape-shifting Leopard, and each has secrets of their own.
As the mismatched gang follow the boy’s scent from perfumed citadels to infested rivers to the enchanted darklands and beyond, set upon at every turn by creatures intent on destroying them, Tracker starts to wonder: who really is this mysterious boy? Why do so many people want to stop him being found? And, most important of all, who is telling the truth and who is lying?
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.
For more than a century, newspapers have been keen to tell us that ‘the Ripper’ preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness and rampant misogyny. They died because they were in the wrong place at the wrong time – but their greatest misfortune was to be born a woman.
Adolescent girls can be real monsters. Maude is twelve, about the age some girls turn into flesh-eating wild cats. As her detective dad investigates a series of strange mauling attacks, Maude worries she may be the killer.
Raised by her mother and Maeve on Slanbeg, an island off the west coast of Ireland, Orpen has a childhood of love and stories by the fireside. But the stories grow darker, and the training begins. Ireland has been devoured by a ravening menace known as the skrake, and though Slanbeg is safe for now, the women must always be ready to run, or to fight.
When Maeve is bitten, Orpen is faced with a dilemma: kill Maeve before her transformation is complete, or try to get help. So Orpen sets off, with Maeve in a wheelbarrow and her dog at her side, in the hope of finding other survivors, and a cure. It is a journey that will test Orpen to her limits, on which she will learn who she really is, who she really loves, and how to imagine a future in a world that ended before she was born.
An urgent collection of essays by first and second-generation immigrants, exploring what it’s like to be othered in an increasingly divided America.
From Trump’s proposed border wall and travel ban to the marching of White Supremacists in Charlottesville, America is consumed by tensions over immigration and the question of which bodies are welcome. In this much-anticipated follow-up to the bestselling UK edition, hailed by Zadie Smith as ‘lively and vital’, editors Nikesh Shukla and Chimene Suleyman hand the microphone to an incredible range of writers whose humanity and right to be in the US is under attack.
Chigozie Obioma unpacks an Igbo proverb that helped him navigate his journey to America from Nigeria. Jenny Zhang analyzes cultural appropriation in nineties fashion, recalling her own pain and confusion as a teenager trying to fit in. Fatimah Asghar describes the flood of memory and emotion triggered by an encounter with an Uber driver from Kashmir. Alexander Chee writes of a visit to Korea that changed his relationship to his heritage. These writers, and the many others in this singular collection, share powerful personal stories of living between cultures and languages while struggling to figure out who they are and where they belong.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may well prove the most remarkable spectacle London has ever seen.
The girls of Innovations Academy are beautiful and well-behaved—it says so on their report cards. Under the watchful gaze of their Guardian, they receive a well-rounded education that promises to make them better. Obedient girls, free from arrogance or defiance. Free from troublesome opinions or individual interests.
But the girls’ carefully controlled existence may not be quite as it appears. As Mena and her friends uncover the dark secrets of what’s actually happening there—and who they really are—the girls of Innovations Academy will learn to fight back.
Marianne grew up in the shadow of the old asylum, a place that still haunts her dreams. She was seventeen when she fled the town, her family, her boyfriend Jesse and the body they buried.
Now, forced to return, she can feel the past closing around her. And Jesse, who never forgave her for leaving, is finally threatening to expose the truth.
Marianne will do anything to protect the life she’s built; the husband and daughter who must never know.
Even if it means turning to her worst enemy…
But Marianne may not know the whole story – and she isn’t the only one with secrets they’d kill to keep.
1826, and all of London is in a frenzy. Crowds gather at the gates of the Old Bailey to watch as Frannie Langton, maid to Mr and Mrs Benham, goes on trial for their murder. The testimonies against her are damning – slave, whore, seductress. And they may be the truth. But they are not the whole truth.
For the first time Frannie must tell her story. It begins with a girl learning to read on a plantation in Jamaica, and it ends in a grand house in London, where a beautiful woman waits to be freed.
But through her fevered confessions, one burning question haunts Frannie Langton: could she have murdered the only person she ever loved?
Machines Like Me occurs in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever – a love triangle soon forms. These three beings will confront a profound moral dilemma. Ian McEwan’s subversive and entertaining new novel poses fundamental questions: what makes us human? Our outward deeds or our inner lives? Could a machine understand the human heart? This provocative and thrilling tale warns of the power to invent things beyond our control.
London. 1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning.
When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.
But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .
The village of Shimae is thrown into turmoil when master carp-catcher Katsuro suddenly drowns in the murky waters of the Kusagawa river. Who now will carry the precious cargo of carp to the Imperial Palace and preserve the crucial patronage that everyone in the village depends upon?
Step forward Miyuki, Katsuro’s grief-struck widow and the only remaining person in the village who knows anything about carp. She alone can undertake the long, perilous journey to the Imperial Palace, balancing the heavy baskets of fish on a pole across her shoulders, and ensure her village’s future.
So Miyuki sets off. Along her way she will encounter a host of remarkable characters, from prostitutes and innkeepers, to warlords and priests with evil in mind. She will endure ambushes and disaster, for the villagers are not the only people fixated on the fate of the eight magnificent carp.
But when she reaches the Office of Gardens and Ponds, Miyuki discovers that the trials of her journey are far from over. For in the Imperial City, nothing is quite as it seems, and beneath a veneer of refinement and ritual, there is an impenetrable barrier of politics and snobbery that Miyuki must overcome if she is to return to Shimae.
Eleven-year-old Nedda Papas is obsessed with becoming an astronaut. In 1986 in Easter, a small Florida Space Coast town, her dreams seem almost within reach–if she can just grow up fast enough. Theo, the scientist father she idolizes, is consumed by his own obsessions. Laid off from his job at NASA and still reeling from the loss of Nedda’s newborn brother several years before, Theo turns to the dangerous dream of extending his living daughter’s childhood just a little longer. The result is an invention that alters the fabric of time.
Amidst the chaos that erupts, Nedda must confront her father and his secrets, the ramifications of which will irrevocably change her life, her community, and the entire world. But she finds an unexpected ally in Betheen, the mother she’s never quite understood, who surprises Nedda by seeing her more clearly than anyone else. Decades later, Nedda has achieved her long-held dream, and as she floats in antigravity, far from earth, she and her crewmates face a serious crisis. Nedda may hold the key to the solution, if she can come to terms with her past and the future that awaits her.
Ambitious businesswoman Mae Yu runs Golden Oaks – a luxury retreat transforming the fertility industry – where women get the very best of everything, so long as they play by the rules.
Jane is a young immigrant in search of a better future. Stuck living in a cramped dorm with her baby daughter and her shrewd aunt Ate, she sees an unmissable chance to change her life. But at what cost?
A newborn baby is the sole survivor of a terrifying plane crash.
She is raised in wealthy isolation by an overprotective father. She knows nothing of the rumours about a beautiful young woman, hidden from the world.
When a suitor visits, he understands far more than he should. Forced to run for his life, he escapes aboard The Porpoise, an assassin on his tail…
So begins a wild adventure of a novel, damp with salt spray, blood and tears. A novel that leaps from the modern era to ancient times; a novel that soars, and sails, and burns long and bright; a novel that almost drowns in grief yet swims ashore; in which pirates rampage, a princess wins a wrestler’s hand, and ghost women with lampreys’ teeth drag a man to hell – and in which the members of a shattered family, adrift in a violent world, journey towards a place called home.
We all recognise them. Those who sit just on the fringes of society. Who send prickles up the back of our necks. The charmers. The liars. The manipulators. Those who have the potential to go that one step too far. And then take another step.
Jessamine Gooch makes a living from these people. Each week she broadcasts a radio show looking into the past lives of convicted killers; asking if there was more that could have been done to prevent their terrible crimes.
Then one day she is approached by a woman desperate to find her missing friend, Cassie, fearing her abusive husband may have taken that final deadly step. But as Jessamine delves into the months prior to Cassie’s disappearance she fails to realise there is a dark figure closer to home, one that threatens the safety of her own family . . .
In Brexit Britain, a young transgender doctor called Ry is falling in love – against their better judgement – with Victor Stein, a celebrated professor leading the public debate around AI.
Meanwhile, Ron Lord, just divorced and living with Mum again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere.
Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.
But the scene is set in 1816, when nineteen-year-old Mary Shelley writes a story about creating a non-biological life-form. ‘Beware, for I am fearless and therefore powerful.’
What will happen when homo sapiens is no longer the smartest being on the planet?
It’s just a normal morning for Anna McDonald. Gym kits, packed lunches, getting everyone up and ready. Until she opens the front door to her best friend, Estelle. Anna turns to see her own husband at the top of the stairs, suitcase in hand. They’re leaving together and they’re taking Anna’s two daughters with them.
Left alone in the big, dark house, Anna can’t think, she can’t take it in. With her safe, predictable world shattered, she distracts herself with a story: a true-crime podcast. There’s a sunken yacht in the Mediterranean, multiple murders and a hint of power and corruption. Then Anna realises she knew one of the victims in another life. She is convinced she knows what happened. Her past, so carefully hidden until now, will no longer stay silent.
This is a murder she can’t ignore, and she throws herself into investigating the case. But little does she know, her past and present lives are about to collide, sending everything she has worked so hard to achieve into freefall.
After the Sickness has killed off her parents, and the bombs have fallen on the last safe cities, Monster emerges from the arctic vault which has kept her alive. When she washes up on the coast of Scotland, everyone she knows is dead, and she believes she is alone in an empty world.
Monster begins the long walk south, scavenging and learning the contours of this familiar land made new. Slowly, piece by piece, she begins to rebuild a life. Until, one day, she finds a girl: feral, and ready to be taught all that Monster knows. Changing her own name to Mother, Monster names the child after herself. As young Monster learns from Mother, she also discovers her own desires, realising that she wants very different things to the woman who made, but did not create, her.
Faced with an increasing number of lunatics with superpowers eager to fight his own wunderkind brood, Sir Reginald Hargreeves developed the ultimate solution …
Now, just a few years after Hargreeves’s death, his Umbrella Academy is scattered. Number Five is a hired gun, Kraken is stalking big game, Rumor is dealing with the wreckage of her marriage, an out-of-shape Spaceboy runs around the streets of Tokyo, Vanya continues her physical therapy after being shot in the head–and no one wants to even talk about what Séance is up to …
The award-winning and best-selling superhero series returns, stranger than ever–And their past is coming back to hunt them.
Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clearsighted grandmother, Elwood is about to enrol in the local black college. But given the time and the place, one innocent mistake is enough to destroy his future, and so Elwood arrives at The Nickel Academy, which claims to provide ‘physical, intellectual and moral training’ which will equip its inmates to become ‘honourable and honest men’.
In reality, the Nickel Academy is a chamber of horrors, where physical, emotional and sexual abuse is rife, where corrupt officials and tradesmen do a brisk trade in supplies intended for the school, and where any boy who resists is likely to disappear ‘out back’. Stunned to find himself in this vicious environment, Elwood tries to hold on to Dr King’s ringing assertion, ‘Throw us in jail, and we will still love you.’ But Elwood’s fellow inmate and new friend Turner thinks Elwood is naive and worse; the world is crooked, and the only way to survive is to emulate the cruelty and cynicism of their oppressors.
The tension between Elwood’s idealism and Turner’s scepticism leads to a decision which will have decades-long repercussions.
Platform Seven at 4am: Peterborough Railway Station is deserted. The man crossing the covered walkway on this freezing November morning is confident he’s alone. As he sits on the metal bench at the far end of the platform it is clear his choice is strategic – he’s as far away from the night staff as he can get. What the man doesn’t realise is that he has company. Lisa Evans knows what he has decided to do. She knows what he is about to do as she tries and fails to stop him walking to the platform edge. Two deaths on Platform Seven. Two fatalities in eighteen months – surely they’re connected? No one is more desperate to understand what connects them than Lisa Evans herself. After all, she was the first of the two to die.
And so I step up, into the darkness within; or else the light.
When the van door slammed on Offred’s future at the end of The Handmaid’s Tale, readers had no way of telling what lay ahead for her – freedom, prison or death.
With The Testaments, the wait is over.
Margaret Atwood’s sequel picks up the story 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp, in 1942. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.
After liberation, Cilka is charged as a collaborator for sleeping with the enemy and sent to Siberia. But what choice did she have? And where did the lines of morality lie for Cilka, who was sent to Auschwitz when still a child?
In a Siberian prison camp, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she makes an impression on a woman doctor, Cilka is taken under her wing. Cilka begins to tend to the ill in the camp, struggling to care for them under brutal conditions.
Cilka finds endless resources within herself as she daily confronts death and faces terror. And when she nurses a man called Ivan, Cilka finds that despite everything that has happened to her, there is room in her heart for love.
Some things can’t be spoken about in the light of day. But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.
The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.
The characters in Sudden Traveler walk, drive, dream, and fly, trying to reconcile themselves with their journeys through life, death, and love. Science fiction meets folktale and philosophy meets mortality.
A woman with a new generation of pacemaker chooses to shut it down in the Lakeland, the site of her strongest memories. A man repatriated in the near east hears the name of an old love called and must unpack history’s dark suitcase. From the new world-waves of female anger and resistance, a mythical creature evolves. And in the woods on the border between warring countries, an old well facilitates a dictator’s downfall, before he gains power.
Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a strange book hidden in the library stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues – a bee, a key and a sword – that lead him to a masquerade party in New York, to a secret club, and through a doorway to a subterranean library, hidden far below the surface of the earth.
What Zachary finds in this curious place is more than just a buried home for books and their guardians – it is a place of lost cities and seas, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also those who are intent on its destruction.
Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a handsome barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly-soaked shores of this magical world, discovering his purpose – in both the mysterious book and in his own life.
There you have it, an epic list to keep me busy. What have been your best books of 2019 so far? What have I missed off this list that I should know about? Let me know in the comments below.